The Queen of Cheltenham

The Queen of Cheltenham Print

Printed on Hahnemühle Fine Art Paper. Resistance to ageing of more than 100 years, making this the perfect paper for fine art prints.

Free Shipping Worldwide on all prints.

Copy on print

Rachael Blackmore revolutionised horse racing with unprecedented success at the Cheltenham Festival, particularly between 2021 and 2024.
In this scene, she is led into the Winners’ Enclosure at Cheltenham to rapturous applause after winning the Champion Hurdle aboard the remarkable Grade 1 mare Honeysuckle. The crowd are not only cheering her 2022 Champion Hurdle triumph;
they are also honouring a champion who was denied a full victory parade after her historic win in the Grand National the previous year due to COVID-19 restrictions. Trained by Henry de Bromhead, owned by Kenny Alexander,
and sourced by the legendary manager Peter Molony—with her loyal grooms always by her side—Honeysuckle’s story is one of exceptional teamwork. Honeysuckle and Blackmore formed a legendary, unbeaten partnership, widely regarded as racing’s “golden couple.”
The mare secured 15 consecutive victories, including two Champion Hurdles (2021 and 2022) and three Irish Champion Hurdles. Although Blackmore became the first female jockey to win the Grand National in its 182-year history, she is remembered as much for
surpassing her own expectations as for her record-breaking achievements. In her own words: “I just feel so lucky to have been legged up on the horses I have, and to have experienced success I never even dreamt could be possible.”
Hailed as the “Queen of Cheltenham,” the title was bestowed upon her by media and fans alike

A limited edition print from the original painting signed by the Equestrian and Landscape artist David Paton.

Size Guide Print Care Enquire

    0
    0
    Your Cart
    Your cart is emptyReturn to Shop
    Continue Shopping

    Print Size Guide

    All prints come in 3 sizes, Medium, Large & XLarge.

    Medium – 60cm (23⅔” approx.) wide

    Large – 90cm (35½” approx.) wide

    XLarge – 120cm (47¼” approx.) wide

    As the prints are exact reproduction, the heights vary depending on the canvas sizes of the original painting. Please see the size options on individual prints.

    Sizes
    Sizes
    Sizes

    Print Care & Preparation

    When your print arrives in the post, do not open it straight away.
    Resisting that urge is crucial for preserving your artwork.

    Print CareYour print is a fine art product and, while robust, it’s still delicate.

    The tube it is posted in offers vital protection during transport and storage. Here’s why taking it directly to your framer is the best approach: Unrolling is easy, but re-rolling and re-inserting the artwork back into the tube without damaging it can be quite challenging.

    Professional Handling: Framers are equipped with the right tools and expertise (and often cotton gloves!) to safely unroll, inspect, and prepare your print for framing without causing any accidental creases, smudges, or tears.

    Framing

    Prints tend to look there best behind simple clean frames. The best frame colours to use are plain white, black, grey or
    ash white moulding. I would advise to leave the 40cm white border as it displays the title of the print and the artist signa-
    ture which gives a feel of authenticty your limited editon print.

    Mounts

    Always place your print behind glass. While our fine art paper is quite robust, it remains a paper-based print and requires
    the essential protection that glass provides.