Painting by Equine Artist David Paton of Kyprios at Royal Ascot, led by Susan Magnier into the winner’s enclosure, with trainer Aidan O'Brien and entourage standing to the right amid cheering crowds

“Kyprios winners enclosure” at Royal Ascot

Size: 107cm x 77cm

Materials: Acrylic and Oil on Linen

Kyprios basks in victory at Royal Ascot, led proudly into the winner’s enclosure by Susan Magnier. Trainer Aidan O’Brien and his entourage stand to the right, surrounded by the roaring applause of an elated crowd. This moment captures the thrill of triumph, the elegance of the racehorse, and the tradition of one of the world’s most prestigious racing events. A true celebration of equestrian excellence.

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€2,600.00

Print Size Guide

All prints come in 3 sizes, Medium, Large & XLarge.

Medium – 60cm (23⅔” approx.) wide

Large – 90cm (35½” approx.) wide

XLarge – 120cm (47¼” approx.) wide

As the prints are exact reproduction, the heights vary depending on the canvas sizes of the original painting. Please see the size options on individual prints.

Print Care & Preparation

When your print arrives in the post, do not open it straight away.
Resisting that urge is crucial for preserving your artwork.

Print Care Your print is a fine art product and, while robust, it’s still delicate.

The tube it is posted in offers vital protection during transport and storage. Here’s why taking it directly to your framer is the best approach: Unrolling is easy, but re-rolling and re-inserting the artwork back into the tube without damaging it can be quite challenging.

Professional Handling: Framers are equipped with the right tools and expertise (and often cotton gloves!) to safely unroll, inspect, and prepare your print for framing without causing any accidental creases, smudges, or tears.

Framing

Prints tend to look there best behind simple clean frames. The best frame colours to use are plain white, black, grey or
ash white moulding. I would advise to leave the 40cm white border as it displays the title of the print and the artist signa-
ture which gives a feel of authenticty your limited editon print.

Mounts

Always place your print behind glass. While our fine art paper is quite robust, it remains a paper-based print and requires
the essential protection that glass provides.